Tag Archives: The Drifter

Nick Petrie’s Drifter – Reacher-esque?

drifter“Lots of characters get compared to my own Jack Reacher, but Petrie’s Peter Ash is the real deal.”   That’s the blurb from Lee Child on Nick Petrie’s debut mystery, The Drifter.  I try not to go into a book with preconceived notions, but once read, that blurb tends to influence your perceptions.  And Ash does have his similarities to Reacher.  Like Reacher, Ash has served in the military, is on the road and has few ties.  He’s also single-minded and a handy guy to have on your side in a fight.   They both have a strong sense of loyalty and their own definitions of right and wrong. And I’m a big Reacher fan, so this is setting the bar high.

The Drifter starts with a prologue – who is this man in the black canvas chore coat driving around in a pick-up truck with false id, buying fertilizer?  We don’t know, but by the end of the book, we get to know this guy, his profession and his unusual code of honor that results in his partnering with Ash to foil a terrorist plot  at the last minute.   So, while I usually an not a prologue fan, I give this one a thumbs up because it builds suspense and is integral to the plot.

In the meantime, Ash is on his belly, crawling in the dirt under Dinah Johnson’s porch and trying to figure out a way to overpower a 140-lb. pitbull mix that’s dead-set against coming out, without getting maimed.  His solution is clever and humane, and once he’s subdued the dog and tied it to a tree, his next action is to give it water from his own water bottle.  “Dog’s thirsty,” he explains to Charlie Johnson, Dinah’s son.

And thus, in the first chapter, we know a lot about Peter Ash.  We also know a lot about Nick Petrie – he knows how to set the stage, reveal character, and build suspense.  Over the subsequent chapters, we find out why Ash is there – to atone for not being there for his Marine buddy, Sgt. Jimmy Johnson, who committed suicide the month before, leaving behind a widow (ER nurse Dinah) and two boys (Charlie and Miles).  His pretext – doing “what needs to be done” as part of a VA program, which results in his offer to rebuild the Washington’s falling down porch.  His baggage – he is suffering from PTSD and can only stand to be indoors for short periods of time.

Of course, the straightforward narrative becomes  complicated almost immediately, when Ash discovers the dog was guarding a suitcase containing $400,000 and four packs  of C4 explosive under that porch.  A hard-looking case with a gun and a black SUV is lurking about.  And Dinah turns out to have resources of her own, in the form of a long-time tie to a smooth, smart and strong local crime lord named Lewis.

Ash’s unraveling the connections that lead to a hedge fund and its Machiavellian owner is a complex but gripping process.  The plot?  To blow up a bank, throw the markets into unrest, and make a fortune. Along the way, Ash discovers the truth about his friend Jimmy, builds a strong bond with Jimmy’s dog Mingus, and learns how good people can be twisted to do bad things.  In the end, good guys turn out to be bad guys, bad guys turn good, and the day is saved following a super-scary chase scene.

The Drifter is a classic thriller, and Petrie worked hard to lift it a bit above through character complexity.  He has varying success with that – the emphasis on the psychic impact of combat can be seen as exploitative, and the upright nurse, crime lord with a sensitive side, callous hedge fund owner, and crooked cop are pretty formulaic.  But it all hangs together quite well and the Ash character is compelling, so all told, it’s a very strong debut and I look forward to more from Petrie.

It’s a tough call where to place it on the rankings.  Each of the four books are so different, with Under the Harrow falling in suspense, Dodgers in literary, IQ detective and Drifter thriller.  After careful consideration, I’m going to place it #2.  As a sheer page-turner, it’s a good one, but not quite up to IQ.  But I have to say, I’d recommend all four of these books – this is a great crop of debut novels and I’m eager to see how the last two stack up!

mwa_logoLiterary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best First Novel

  1. IQ by Joe Ide
  2. The Drifter by Nicholas Petrie
  3. Dodgers by Bill Beverly
  4. Under the Harrow by Flynn Berry

On to Best First Novel: Under the Harrow

edgarAt last week’s Academy Awards, several Oscar winners talked about how much it was an honor just to be nominated in their categories, and gave props to their fellow nominees.  For the Mystery Writers of America Edgar Awards, it is truly an honor to make the final shortlist.  I don’t know how many books are actually put forward for consideration, but it must be hundreds, and to have a book nominated in the Best First Author category is not only a fabulous acknowledgement of talent, but can be a career-maker.

bestfirst

This year’s nominees are a really diverse bunch, and include:

  • Under the Harrow, by Flynn Berry – a whodunit wherein the protagonist learns unsettling information about her murdered sister
  • Dodgers, by Bill Beverly – California gangbangers set out for the heartland to murder a witness in a court case
  • IQ by Joe Ide – bright young LA high school dropout takes on investigations in the ‘hood
  • The Drifter by Nicholas Petrie – featuring a protagonist that Lee Child agrees is similar to Jack Reacher (!)
  • Dancing with the Tiger by Lili White – a literary thriller that centers on the chase for Montezuma’s purloined death mask
  • The Lost Girls by Heather  Young – a suspenseful family novel about three sisters, one of whom disappears, set in part in 1935

Oddly, I had already read three of the six – usually my familiarity with new mystery nominees is pretty low, because there are just so many to choose from and not all get much promotion.  Flynn Berry’s Under the Harrow is one that I had already read, having snagged it when it came out from my local library.  At the time, my reaction was A) astonishment and B) envy.  (Yes, I’ve got 2-1/2 books and an array of short stories to my credit, and when I see a debut novel that’s impressive, I’m like dang! that’s how it’s done!  Sigh.)

Main character Nora is a bookish 30-year-old Londoner who is close with her sister Rachel, a nurse who lives in the country with her German Shepherd, Fenno.  They women share a key experience:  the hunt for the man who assaulted the 16-year-old Rachel as she walked home alone from a party (they’d quarreled and Nora stayed behind).  The man is never found, and the episode is a shadow on their lives.

When Nora comes for a visit and Rachel isn’t there to greet her at the train, worry starts.  And when Nora opens the doorway to her sister’s cozy house to find Rachel viciously stabbed to death and Fenno hanging by his leash from the stairway bannister, her whole world is rocked.  Could the assailant from the past have done this?  If not, who?  Her sister mentioned a man named Martin, but Nora can’t find a man with this name in Rachel’s life.

Nora becomes obsessed with solving the murder, insinuating herself into the police investigation and finding clues in advance of the detective… ending up as a suspect herself.

Nora’s investigation reveals a great deal that she did not know about Rachel, her daily life in the small village, her work at the local hospital, and the secrets she kept from her sister.  She suspects an affair between Rachel and a local plumber and becomes convinced that he is guilty, stalking him openly, and accusing him to his wife, who finds the evidence and turns it over to the police.  But there is something else, and someone else, that underlies Rachel’s murder… something that Nora knows but doesn’t connect all the dots.  She learns the truth, confronts the murderer, yearns for vengeance, and walks away… sirens in the background.  Woo.

Compelling characters and backstory, twisty plot, major suspense, switch-up resolution without cheating, and a lot of heart – Flynn Berry’s debut  has set a high bar for the other nominees.  As the first reviewed, Under the Harrow starts with the top spot in the ranking.

mwa_logoLiterary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best First Novel

  1. Under the Harrow by Flynn Berry