Tag Archives: Best Novel

On to Smoke and Ashes – Final Edgar Nom

smoke

Smoke and Ashes is the final nominee for the Mystery Writers of America Edgar award for Best Novel, the third book in Abir Mukherjee’s series set in 1920’s Calcutta and  featuring British officer Sam Wyndham and his sergeant, “Surrender-not” Banerjee.  The debut novel, A Rising Man, was also a nominee for Best Novel in 2018.  It didn’t win and was last on the Literary Lunchbox ranking.  But still – first book and a nominee!  (My review of that book is here.)

The third book focuses on Christmas, 1921.  It’s a tumultuous historical time, when the Indian independence movement is in full swing and the followers of Gandhi are using nonnviolent resistance to press the oppressors and symbolic protests to unite the various indigenous factions.  About to arrive on the scene:  the Prince of Wales.   Lt. Wyndham is called by his superiors to investigate the murder of a woman.  Her eyes had been gouged out and two deep knife wounds were made to her chest.  This would have been upsetting to anyone, but it was a particular shock to Sam Wyndham, as he had seen the same mutilation of a previous corpse, just the night before.  Easy peasy, right?  Just connect the dots and solve the murders.  But Wyndham can’t admit to seeing the previous corpse, because he was stoned out of his mind on opium at the time, running for his life with the cops right behind him.  Yes, our hero is an addict thanks to a war injury and a second blow, his wife’s death of influenza, a few years previously.

What follows is a labyrinthine plot wherein more people die, Wyndham discovers what links the victims, he and Surrender-not set out to lure the murderer out into the open but are outwitted, all against the backdrop of Indian unrest and the stubbornness of the peaceful revolution’s leaders vs. the stubbornness of the British military and monarchy.  (A quick Google search turned up the info that India did not get its independence from Britain till 1947, so Mukherjee has 26 more years of stories to tell, should he choose to do so.)   Revealing the killer and what motivates him – a ruthless military project to develop a new, even more lethal mustard gas by testing it on Indian subjects – was not the end to the plot twists, though.

Here’s what works very well in Smoke and Ashes:  We genuinely like the main characters; the depiction of Surrender-not as a loyal friend and policeman, and the cultural pressure he feels as the go-between; the plot is complicated and horrifyingly believable; the writing is top-notch and pacing excellent.  However, not much is made of Wyndham’s addiction; evidently, a shot of kerdu pulp (from a gourd that is native to India) staves off withdrawal symptoms.  There was also rather perfunctory treatment of his on-again, off-again romance with Annie Grant (a key figure in the first book in this series).  But all in all, a satisfying historical mystery.

How does Smoke and Ashes stack up to the other nominees?  Pretty well, but not a home run for me.  There is nothing to dislike here, but I am not a fan of historicals in general and I read this at some remove, admiring the plot as it emerged, but not caught up.  (Others are likely to find it just their cup of tea!)

In terms of ranking, I’m going to place it at #3.  That leaves Michael Robotham’s Good Girl, Bad Girl in the top spot.  If Literary Lunchbox were in charge, Robotham would get his first Edgar the year.

Literary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best Novel

  1. Good Girl, Bad Girl (Michael Robotham)
  2. The Stranger Diaries (Elly Griffiths)
  3. Smoke and Ashes (Abir Mukherjee)
  4. The River (Peter Heller)
  5. Fake Like Me (Barbara Bourland)

 

The Stranger Diaries 4th Edgar Nom

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If you love reading – and you clearly do, if you are reading this blog! – you’ll be drawn in immediately to Elly GriffithsThe Stranger Diaries.  The book’s protagonist is Clare Cassidy, a divorced single mom/high school English teacher, who aspires to write a biography of (fictional) author R.M. Holland.  The mystery centers around the death by stabbing of Clare’s colleague, Ella.  That death, and others that follow, reflect murders recounted in Holland’s short story, “The Stranger.”  In fact, Griffiths’ book opens with the beginning of that short story, in a framing device that sets the stage for the suspense that follows.

But is it a stranger who murdered Ella?  Or is it, as Detective Sergeant Harbinder Kaur and her partner believe, someone much closer?  There is no dearth of suspects, from Clare herself – very unlikely – to Ella’s stalkerish boss.  He looks a good bet, as he has a history of obsessive behavior.  A good bet, that is, until he is murdered as well.

Diaries play a prominent role in the book, not surprisingly.  DS Kaur examines social media – a very public kind of diary – for clues.  Clare’s daughter Georgia keeps her diary online, at a website called mysecretdiary.com, and so do her friends.  Clare has kept one since childhood, filling a series of notebooks.  In fact, the first clue that Clare has a connection of some kind to the murderer comes when she discovers a note in her diary.  It starts “Greetings from a sincere friend…” quoting Wilkie’s Woman in White, and goes on to promise to fall upon those who work agains Clare “like a ravening beast.”  The handwriting is unfamiliar.  What stranger has been in her house?  And how does he – or she – know Clare?

A nice subplot is Clare’s determination to unearth the facts behind the suggested suicide of Alice Avery, R.M. Holland’s wife, and the related question of the mysterious Mariana, whose presence comforted Holland following her death.  Thought to be their daughter, no records or photos of Mariana exist.  Hmmmmm….

Griffiths writes in first person from three different perspectives: Clare, DS Kaur, and daughter Georgie.  It works well, and I was struck by how the same scene is recounted differently by each of the three, giving the reader greater insight into the characters.  Showing the three women independently also highlights how little people really know about one another.

Suspects are presented and discarded throughout the book, the body count mounts and tension ramps up, and soon after DS Kaur encourages Clare and Georgie to leave town for their safety, the plot takes thriller-ish as the unknown bad guy follows the pair while the cops race to get there in time to stop more mayhem.  You think you know who it is… you don’t!  In a smaller and also satisfying conclusion, the Mariana mystery is also solved.

Here’s my take on The Stranger Diaries:  Griffiths is a good writer.  The three-POVs works very well.  Her characters are interesting and believable.  The literary references and creative writing scenarios add a lot of fun (for me).  The gothic aspects (hauntings, historical memorabilia, etc.) are atmospheric and heighten the drama.  The violence is not gratuitous.  One quibble is that boss Rick Lewis really get off quite lightly from the #metoo perspective (although he does get murdered, so perhaps that is punishment enough).  A more meaningful concern is that the real perpetrator is masked by the way he is presented from Georgie’s point of view, and it is hard to believe that he could fool her so completely.

So, where does The Stranger Diaries rank?  Definitely below Robotham’s masterful Good Girl, Bad Girl, but I’m going to place it above The River.  While not as lyrical as Heller, Griffiths’ writing is very effective with its multiple viewpoints and the inclusion of the original short story “by” R.M. Holland.

Side note… there is a wealth of Elly Griffiths books available, including at least one other that features Harbinder Kaur.  I’m there.

Literary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best Novel

  1. Good Girl, Bad Girl (Michael Robotham)
  2. The Stranger Diaries (Elly Griffiths)
  3. The River (Peter Heller)
  4. Fake Like Me (Barbara Bourland)

Good Girl, Bad Girl: Mesmerizing Twisty Tale

good girl

Alert:  I’m a huge Michael Robotham fan. His standalone book Life or Death was up for the 2016 Best Novel Edgar.  It didn’t win, and I ranked it fourth, right behind the actual winner, Lori Roy’s Let Me Die in His Footsteps.

He has a very popular series featuring psychologist Joe O’Loughlin, nine books at last counting.   I met the good doctor in 2012 and blogged about him while on a cruise.  Joe often works with the good but morally ambiguous Detective Vincent Ruiz, is still in love with his estranged wife, Julianne, and has Parkinson’s disease which bothers him more as the series progresses.  It’s a good series, and two of the books won the Ned Kelly Award for Australia’s Best Crime novel.  Still, the time was ripe for a new protagonist, and Robotham doesn’t disappoint.

Good Girl, Bad Girl is the Edgar-nominated first book in a new series featuring Cyrus Haven.  Cyrus is also a psychologist, but has a more dramatic backstory; while tween Cyrus cruised past his crush’s house on his bike, his older brother was murdering their parents and twin sisters.  Adult Cyrus is tattooed, lifts weights and runs to burn off excess psychic energy, eschews a cell phone in favor of a pager, and maintains a loving relationship with Lenny Pavel, the female cop – now a Chief Inspector – who questioned and comforted him after he found his family’s bodies.

That enduring Lenny connection is what gets Cyrus pulled in when a dog walker finds the body of young figure skater Jodi Sheehan, bludgeoned and sexually assaulted.   Although the physical forensics of detection are critical, Cyrus specializes in the psychological underpinnings of crime.  Throughout Good Girl, Bad Girl, Cyrus picks at the threads of Jodi’s life until he sees beyond the perfect athlete, daughter and sister to see the flawed but loving human she truly was.  In doing so, Cyrus also wades through an abundance of murder suspects.  In lesser hands, the truths that Robotham has Cyrus uncover could be simply red herrings — in this book, they add to the richness of the narrative.  What really happened to Jodi is the result of a long-buried secret.

And it’s a connection of another kind – to the psychology community  – that gets Cyrus Haven pulled in to the sad and strange case of Evie Cormac.  Six years ago, Evie was discovered hiding in a rundown building with the rotting corpse of a tortured criminal and two surprisingly well-fed Alsatian dogs.  Skinny and silent, the child known in the media as Angel Face, was of indeterminate age.   Given a new name under a legal gag order, the child now known as Evie Cormac bounced through the foster care system, ending up in big trouble in residential care after attacking another resident with a brick.

Adam Guthrie, her psychologist there, knew that Evie was more than smart – he thought she had an unerring ability to tell when someone was lying.  And here’s where Cyrus comes in – he wrote his doctoral thesis on “truth wizards.”  Adam calls Cyrus in to consult, and we go on to the adventure of learning more about Evie as they interact.  When Evie seeks to be emancipated so she can leave the foster care system, Cyrus is the only person who supports her, ultimately offering to become her foster parent until she reaches the date set by the judge.   Little by little, we see the distrust that defines Evie begin to peel away with Cyrus… but set-backs are a given, and it’s during one of those set-backs that Evie learns some facts that ultimately help Cyrus solve Jodi Sheehan’s murder.

This book is mesmerizing.  The plot is twisty but well-supported throughout.  No cheating.  The characters are complex, and Robotham is a master at the slow reveal.  At the end of Good Girl, Bad Girl, the thoughtful reader realizes that there is no such thing.  Jodi is no more 100% good than Evie is 100% bad.  And vice versa.  The writing is assured and can be very funny (to wit, the group therapy scene where Cyrus is the only one who knows that all of Evie’s revelations are word-for-word dialogue from popular movies).  There’s a cliffhanger at the end, as we realize that the scenario of “child rescued from pedophile kidnapper” might be just one more fiction.  Thank heavens that July 2020 will bring us the new Cyrus/Evie book, When She Was Good.

But how does it compare to The River?  To quote your favorite British cozy writer, they’re like chalk and cheese.  Both good!   I see The River as a slender tale, a simpler story, although rewarding.  Robotham’s book is more complex, more layered, with a lot of character and heart.  But at the end of the day, I must go for Good Girl, Bad Girl for sheer enjoyment.

mwa_logoLiterary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best Novel

  1. Good Girl, Bad Girl (Michael Robotham)
  2. The River (Peter Heller)

 

Squeaker: Lunchbox Best Novel Edgar

It’s Wednesday, April 25, just one day before the Mystery Writers of America Edgars Banquet, at which the MWA will be announcing the names of the 2018 Edgar award recipients.  Good news!  I have completed reading the final entry in the Best Novel category, and I’m reading to make my final pick for which author should take home the Edgar.

12 LivesThe final finalist is Hannah Tinti’s The Twelve Lives of Samuel Hawley, a book I had read previously and greatly enjoyed reading again.  The Samuel Hawley in question is the single father of young Loo (short for Louisa), and the small family moves from place to place.  The twelve “lives” in question are twelve scars that Hawley bears, each one the mark of a healed bullet wound and a marker of a particular time in his life, some pre-Loo, some post.  Hawley is a rough man and a criminal, but a caring one, and is deeply devoted to his daughter.

Their nomadic life comes to an end when Hawley decides to move the teenage Loo back to the town where her mother was raised and mother’s mother still lives.  With the stability also comes a blooming curiosity, and Loo begins to uncover the secrets associated with her mother’s death – in particular, her grandmother Mabel Ridge’s belief that Hawley is responsible for her daughter’s death.  And indeed he is, for although he did not kill her, it was because of him that she was killed and the murder covered up.  Loo also faces a tough time at school, and deliberately breaks the finger of Marshall Hicks, subsequently falling in love with him.

The book builds to a climax as Samuel Hawley’s youthful chickens come home to roost, when a previously vanquished foe reappears to claim vengeance, and uses a former friend of Hawley’s to do so.  Only through quick thinking and sheer guts do Loo and her father prevail.

The Twelve Lives of Samuel Hawley has a lot going for it – the characters are rich and believable, the framing device using the twelve bullets is very useful and effective in moving the plot forward through time, and there is a real sense of tragedy, in that the heroes are undone by the flaws that make them unique.  Tinti does an excellent job of building suspense.  Hawley is similar, in some ways, to the Jordan Harper’s She Rides Shotgun, up this year for the Edgar for Best First Novel (and it ranked #1 with me)  Both feature a criminal father, an edgy, violence-prone daughter, and a dead mother.  Tinti’s book is both deeper and broader.

Compared to the other books nominated for Best Novel, Hawley is clearly near the top of the ranking.  It’s more complex than Bluebird, Bluebird.  And while I very much enjoyed Prussian Blue, I must admit that I found The Twelve Lives of Samuel Hawley to be much more engaging.   I simply cared more about the characters and was literally biting my nails about what would happen next.  Therefore, Tinti takes the top spot in the Literary Lunchbox ranking.

Tomorrow evening – or first thing Friday morning – we’ll see who won the real Edgars.  If all goes as typical, I’ll be right on one of my calls, and wrong on the other.  But there is always a possibility of the MWA judges showing the good judgment to agree with me 100%, or that I’ll strike out completely.   No matter, it’s the challenge and the process that makes it fun!

mwa_logoLiterary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best Novel

  1. The Twelve Lives of Samuel Hawley by Hannah Tinti
  2. Prussian Blue by Philip Kerr
  3. Bluebird Bluebird by Attica Locke
  4. The Dime by Kathleen Kent
  5. A Rising Man by Abir Mukherjee

Kerr’s Prussian Blue up next

bluePrussian Blue.  It’s 528 pages of fictional Berlin detective Bernie Gunther interacting with Nazis in (framing device) 1956 and (very meaty main plot) 1939… and I have to say, it’s the most interesting and entertaining Philip Kerr book I’ve read.   It’s the fourth book that I’m reading, reviewing and ranking in the Literary Lunchbox take on the MWA Edgar for Best Novel.

As previously mentioned, I’m generally not into historical mysteries, especially those featuring swastikas (notable exception:  The Boys From Brazil).  I’ve read two Bernie Gunther books previously, when they were up for Edgars, and generally ranked them towards the bottom of the list.  (Field Gray review  and The Lady From Zagreb here.)  In fairness to me, they didn’t win.

kerrThat situation might change this year, as, sad to say, Philip Kerr passed away recently at the age of 62.  It certainly made me want to give Prussian Blue a full and fair reading, which meant slowing down, and paying especially close attention.  So that’s what I did.  It paid off.

The book begins in 1956 on the French Riviera, with our smart-and-jaded Bernie working as a hotel detective, still hoping for a reconciliation with his estranged wife when he gets an invitation to meet her for dinner.  He goes and is surprised to find that his dinner companion is not his wife, but a long-time enemy, Erich Mielke, now deputy head of Stasi, the East Germany Security Service.  Mielke wants Bernie to poison a former colleague in order to tie up some loose ends from a previous situation, but Bernie’s smart enough to know that even if he accedes to the request, he’ll become the next “loose end” requiring tying up.  Mielke’s thugs – including Frederich Korsch, a man Bernie knew well back in the day – bring him to the brink of death to secure his cooperation, but this only makes stubborn Bernie determined not to do their bidding.  He goes on the run.  While making his escape, Bernie reflects upon a previous case that brought him close to Hitler himself, even as Germany was readied for the attack on Poland that would launch WWII.

Fade to April, 1939.  A man has been shot on the terrace at Hitler’s private home at Berchtesgaden.  It’s critical to solve the murder and ensure security before Hitler arrives there for his 50th birthday celebration.  Nazi boss Reinhard Heydrich assigns Commissar Gunther – a smart, honest cop – to solve the crime.  On arrival, Bernie finds that he must please Martin Bormann, who runs the show.  It’s soon clear that there is no failure allowed – the crime will be solved, either by finding the killer, or fitting one up. 

Bernie’s not surprised to find that the dead man, a local engineer named Karl Flex, is incredibly unpopular with the locals, throwing people out of their homes in forced sales at bargain basement prices, strong-arming the local whores, and serving as Bormann’s bag man on cash runs to Switzerland.  The entire enclave is a money machine for Bormann and his crew.  These facts come out over time, and offer Bernie and his assistants, Frederich Korsch and local SS Capt. Hermann Kaspel, a plethora of potential murderers.  And it soon becomes clear that there are some that would prefer to see Bernie fail, as there is more than one attempt on his life.  When Kaspel is killed in a rigged car wreck when Bernie should have been with him, Bernie knows he must be making progress.

Bernie does discover who killed Flex and why, and sets out to capture him, accompanied by one of Bormann’s aides, Wilhelm Zander.  Bernie believes that if he can arrest the man, justice will be done, Bormann will release the innocent fall guy currently in the clink, and he’ll be able to get two inept cops off the hook (they’re facing a firing squad for no good reason).  But misplaced optimism is a Bernie Gunther hallmark… so when he captures the killer, Zander shoots him, then turns the gun on Bernie.  Our hero escapes, but mostly due to dumb luck.  And while things turn out okay for him, when he returns to Bavaria, he learns that all three of the men he’d hoped to save had been killed that morning.  He also meets a dead end in his quest to bring down Bormann.

Flash forward to 1956 – his 1939 friend and colleague, Frederich Korsch is now his enemy, but Bernie has a new name and a new chance at freedom in Munich.

I know.  It’s a lot of plot.  And I left a ton out.

There’s a lot to like about this book.  With some minimal wikipedia-ing, I am convinced that Kerr did a great job on the historical accuracy aspect of it.  I have no problem believing that he also did an excellent job in his portrayal of historical figures.  One character – female architect Gerdy Troost, who was a staunch Nazi and strong Hitler admirer – decides to help Bernie root out the corruption, and she is a sympathetic figure in Kerr’s hands.  Characters are fleshed out and credible.  The plot is twisty and the violence is compelling and realistic.  Also, Kerr has a wonderful way with words.  I had to stifle myself from reading selections out loud to my husband; after the third such passage, Mark was out of patience.

The best thing about Prussian Blue is Bernie Gunther himself.  He’s sharp and funny, is more likely to get beaten to a pulp than he is to do the beating, and is liable to succeed mostly through sheer persistence, but also gets a normal helping of dumb luck along the way.  His morality is like Teflon; despite all the evil he sees, it endures.  As he thought back to that April in 1939 and all that had occurred, he reflected, “Most of all I remembered being almost twenty years younger and possessed of a sense of decency and honor I now found almost quaint.  For a while back here, I think I sincerely believe I was the only honest man I knew.”  He may be rueful, but at the core, he’s unchanged.

So how does the book stack up with the other nominees?  For character, complications, plot and atmosphere, I’ve got to give it up for Philip Kerr’s Prussian Blue.  It goes to the top of the ranking.

mwa_logoLiterary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best Novel

  1. Prussian Blue by Philip Kerr
  2. Bluebird Bluebird by Attica Locke
  3. The Dime by Kathleen Kent
  4. A Rising Man by Abir Mukherjee

Bluebird, Bluebird up for Best Novel

bluebidThe third book up for the Mystery Writers of America Edgar award for Best Novel is Attica Locke’s Bluebird Bluebird.  As with the two nominees I’ve reviewed so far, Bluebird is the first book in a planned series, this time featuring a black Texas Ranger named Darren Mathews.  Race relations in  Texas infuses Bluebird, which is unflinching in its portrayal of race-based hate crimes as well as the more complicated interpersonal relationships.  Mathews’ desire to ensure a fair shake for African-Americans, both those accused and those who are victims, is what made him drop out of law school and become a Ranger… even though he may pay a big price, as his wife Lisa is looking for a stable and upwardly mobile life.  She’s also not thrilled with Mathews’ drinking, and it looks like she’s right – he’s got a problem.

Mathews comes to the small town of Lark to investigate the death of Michael Wright, a black lawyer from Chicago, and also that of a young mother and blonde beauty, Missy Dale.  The locals – including local law enforcement, the local branch of the Aryan Brotherhood, and what passes for the local bourgeoisie – may not be in cahoots, but they all share a desire to send Ranger Mathews back to where he came from.  But Mathews is patient and persistent while looking out for the powerless.  Meanwhile, back home, a grand jury is deciding whether to charge old friend Rutherford “Mack” McMillan in the shooting death of a white man who had been stalking his Mack’s granddaughter.  Darren hopes his testimony cast enough doubt to keep the old man free.

Mathews has a strong suspicion that Missy’s husband, Keith Dale, killed Wright in a fit of rage when he saw his wife walking down the dark road with him, then killed his wife to silence her as a witness.  But as Mathews learns why the Chicago man had come to Lark, Texas, he begins to cast a new light on the long-term relationships of the locals, and ends up solving a long-ago crime as well as the present-day murders.

Locke is the author of three previously well-received novels, including Edgar nominee Black Water Rising (which I reviewed here back in 2010!) and was a writer and producer on the Fox drama Empire.  So it’s not surprising that Bluebird is well-plotted, but I didn’t see either of the two twists at the end coming.  Well-done!  In addition, I’m a sucker for complicated characters, and some of the people who inhabit Locke’s Texas are as real as they come.  

Comparing Bluebird Bluebird to The Dime and A Rising Man, Locke does a superior job of tapping into the zeitgeist of time and place than the other authors.  Her characters are also more compelling and convincing, although I’d like to see more exploration of wife Lisa.  As a result, Bluebird is taking the top spot in the Literary Lunchbox ranking.

mwa_logoLiterary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best Novel

  1. Bluebird Bluebird by Attica Locke
  2. The Dime by Kathleen Kent
  3. A Rising Man by Abir Mukherjee

 

Nominee #2: A Rising Man

risingAfter my last post, moaning about historical… the next nominee for the MWA Edgar for Best Novel is Abir Mukherjee’s A Rising Man, set in 1919 Calcutta.   The heat, grime, and colonial culture where the British rule, the natives serve, and those of mixed race are shunned by both, welcome Captain Sam Wyndham.  A former Scotland Yard detective, Capt. Wyndham faces his first case – the murder of a British official, Alexander MacAuley.  Found in a “dark, dead-end alley,” the body was mangled, throat cut, and a mysterious message in Bengali, on expensive paper, was forced into his mouth.  “No more warnings,” it read.  “English blood will run in the streets.  Quit India!”  Terrorists? the captain wonders.  Or perhaps it was just supposed to look like terrorists?

Helping Captain Wyndham is Inspector Digby – surely much too well-qualified to report to an inexperienced man such as Wyndham – and Sergeant Surendranath Bannerjee, known as “Surrender-Not.”  (My favorite character!) Also of service is the dead man’s secretary, the lovely Annie Grant.  The prime suspect?  Political activist Benoy Sen.  It would suit all to find Sen guilty, and it’s soon made clear that Wyndham is expected to investigate only so far as it is necessary to deliver Sen, collect accolades, and let business be business in the corrupt corners of Calcutta.

Hampered by a hankering for opium, Wyndham’s still a good investigator and realizes that all is not as it seems.  Fairly early on, I realized that this was going to be one of those “which one of these characters I already met is really the bad guy?” books.  Was it the madam Mrs. Bose, whose upscale house of ill repute was near where MacAuley’s body was found?  Perhaps the L-G, Wyndham’s boss?  Mr. Buchan?  The good reverend?  Someone closer to home?  And which of these were behind the botched train robbery? That’s where Mukherjee fooled me – there were two surprise bad guys!

Here’s what I found good about the book:  nicely written, easy to read, some likable/interesting characters, pretty twisty plot with red herring.  It read like an Agatha Christie, with an updated protagonist who showed a remarkable openness to diversity given the 1919 timeframe.  Still, not really my cup of tea.

Comparison to Kathleen Kent’s The Dime?  Tough.  Very different books, both worth reading, neither of which do I think will take home the Edgar.  I’m going to keep The Dime on top simply because I’m more likely to read book 2 in Kent’s series.

mwa_logoLiterary Lunchbox Rankings: Mystery Writers of America Edgar Award, Best Novel

  1. The Dime by Kathleen Kent
  2. A Rising Man by Abir Mukherjee