Tag Archives: Edgar winners

Edgar winner winner chicken dinner

raindogsFriends, I am heartily sorry for spending the last five months away from my book blog, but I resolve to turn over a new leaf!  Where I left you last was waiting for the outcome of the Edgar Awards banquet in New York City, after having read, reviewed and ranked finalists in three categories.  I’ll cut to the chase:  I’m batting .333 here – Edgar judges only agreed with me on the Best Original Paperback.  We both selected Adrian McKinty’s Rain Dogs.  His series featuring Irish police detective Sean Duffy is set in the 1980s and feels fresh and funny, but has a noir edge.

harrow.jpgFor Best First Novel, I picked Heather Young’s The Lost Girls, which is a character-driven suspense novel with two story lines (1935 and present day).  I was a fan the first time I read it, and an even bigger fan on rereading for the Edgars.  Alas, the Edgar went to Flynn Berry  for Under the Harrow, which was fifth on my ranking.  To be fair, Berry;s thriller is a great read in the Girl on the Train “genre” – unreliable female protagonist is driven around the bend but prevails.  I expect a movie any month now.

fallAnd for Best Novel, I gave the Literary Lunchbox Edgar to Lyndsey Faye’s Jane Steele.  I am not usually a fan of historical, but this one is genre-bending tribute to Jane Eyre, very well-written with plenty of action.  The actual award went to Noah Hawley’s Before the Fall.  I did enjoy Hawley’s book a great deal, which takes a pretty ordinary guy, puts him into extraordinary circumstances, and then ramps up a mystery with a big dose of conspiracy.  It’s got some plot holes that are apparent on re-reading, and my friend and writing buddy Addy Whitehouse really hated it, but I was more forgiving.  It was third on my list.

In a non-reviewed category, Best Critical/Biographical, the winner was Ruth Franklin’s biography of Shirley Jackson, which I read and enjoyed despite its doorstopper length.  It was also good to see Charles Todd (Charles and Caroline Todd) win the Mary Higgins Clark award for The Shattered Tree.

This is my eighth year reviewing Edgar nominees, and what I’ve found is that some years the Edgar judges agree with me (100% in 2010!) and some years they don’t (0% in 2011).  Here’s a round-up!  If you’re looking for some great reads, generally you can’t go wrong with my picks OR Mystery Writers of America’s choices, and all are now available in paperback.   Happy reading!

2010:  MWA and I agreed on John Hart’s The Last Child for Best Novel and Stefanie Pintoff’s In the Shadow of Gotham for Best First Novel.

2011:  I still think MWA was crazy, giving Steve Hamilton’s The Lock Artist the Best Novel award over Tana French’s Faithful Place, and Rogue Island (Bruce De Silva) instead of Nic Pizzolatto’s Galveston for Best First Novel.  (Not that I don’t like Steve Hamilton.)

2012:  It was 50/50 – MWA and I both gave Mo Hayder’s Gone the Best Novel Edgar (I loooooove Mo Hayder), but Lori Roy’s Bent Road took home the actual Edgar while the Literary Lunchbox award went to Leonard Rosen’s All Cry Chaos.  (Rosen sent me a very nice note by email commenting on my review.  Swoon.)

2013:  Another 0% year.  Dennis Lehane’s Live by Night won Best Novel, while Gillian Flynn’s hugely popular Gone Girl was my pick.  Interestingly, both were made into movies featuring Ben Affleck.  Gone Girl was clearly superior, both book and film.  Meanwhile, Chris Pavoni took Best First Novel home for The Expats, while I would have given the award to Matthew Quirk’s The 500.

2014:  I was crazy this year.  Jason Matthews’ Red Sparrow won the Edgar for Best First Novel, while my pick was Becky Masterman’s Rage Against Dying.  Seriously?  What was I thinking?  William Kent Krueger’s Ordinary Grace took home Best Novel, and I loved it, so that redeems me somewhat.  50-50.

2015:  Another 50% agreement with MWA;  Best First Novel went to Tom Bouton’s Dry Bones in the ValleyAnd it was the year that Stephen King won Best Novel for Mr. Mercedes.  It was fantastic.  But I gave the edge to Mo Hayder for Wolf.  Both fabulous writers.

2016:  As with this year, last year MWA and I were aligned 33% of the time.  We totally agreed that Lou Berney’s The Long and Faraway Gone deserved Best Paperback Original.  (I loved it so much I gave it as a gift at least three times!)  For Best Novel, Lori Roy was again an Edgar winner for Let Me Die in His Footsteps while I gave he nod to Duane Swierzynski’s Canary (both good but super-different).  And I gave the Best First Novel Edgar to Jessica Knoll’s Luckiest Girl Alive over the actual Edgar recipient, The Sympathizer by Viet Nanh Nguyen (my #2 pick).

So there you have it, a real round-up to make up for a lengthy absence.  Looking back, I see that I often run out of time or energy as the Edgar awards draw near and I go into hibernation mode immediately following.  I diagnose blogging burn-out!  In 2018, I’ll cut back to a single category (two at the most) and see if that helps.

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Foiled again. Lehane and Pavone take home the Edgars.

macbethSeth Godin and I have something in common.  In his recent blog post, he points out that he saw Alan Cumming on Broadway in an out-of-the-box one-man version of MacBeth.  Critics, particularly Charles Isherwood in the New York Times, didn’t like it.  Seth loved it, leading him to wonder what purpose critics serve.   I found this ironic, as Seth is also a critic of a sort, whose commentary is wide-ranging.  All of this is a long lead-up to the fact that the Mystery Writers of America Edgars Banquet was last night and my top-ranked nominees for Best Novel and Best First Novel didn’t win.

live_by_nightCongrats are in order for Dennis Lehane for Live by Night.   In my review, I noted that many people would love this book, but I wasn’t one of them.  So at least I got that right.   This historical crime drama actually came in fourth on my list.   I am, in many ways, astounded that Gone Girl didn’t win.  I console myself that it must have been a close thing.  As a refresher, here’s how I ranked the Best Novel nominees:

  1. Gone Girl by Gillian Flynn
  2. The Gods of Gotham by Lyndsay Faye
  3. Sunset by Al Lamanda
  4. Live By Night by Dennis Lehane
  5. The Lost Ones by Ace Atkins
  6. Potboiler by Jesse Kellerman
  7. All I Did Was Shoot My Man by Walter Mosley

expatsIt was deja vu all over again when it comes to Best First Novel.  Matthew Quirk’s The 500 got my nod.  Chris Pavone took home the Edgar for The Expats.  As my review recounts:  I enjoyed the book, but found it a little convoluted and had a hard time really caring about the main characters.  On the other hand, I did think it would make a fantastic movie.   Here was my final lineup for Best First Novel:

  1. The 500 by Matthew Quirk
  2. Don’t Ever Get Old by Daniel Friedman
  3. The Expats by Chris Pavone
  4. Black Fridays by Michael Sears
  5. The Map of Lost Memories by Kim Fay
  6. Mr. Churchill’s Secretary by Susan Elia MacNeal

Sigh.  The Edgars are over for another year.  On the other hand, nominations are open for 2014.   Might be fun to keep on eye on it throughout the year – I see William Kent Krueger’s Ordinary Grace is there already!

Lunchbox offbase on Edgar picks this year

The Mystery Writers of America has announced the Edgar Award winners!  And unlike last year, where my taste totally reflected the taste of the judges… we are not in synch.  In fact, 180 degrees difference.

I picked Tana French’s Faithful Place for Best Novel.  MWA picked Steve Hamilton’s The Lock Artist.   I placed this one… dead last in the running.  Augh.  A revisit of my review reveals that I still agree with my comments.   Hamilton is a great author – I’ve loved his previous series – and The Lock Artist was very creative and a fun read, but I didn’t find it to be my preference.

Similarly, for Best First Novel, my pick was Nic Pizzolatto’s Galveston.  MWA’s choice: Rogue Island by Bruce DeSilva.  Again, this book was at the bottom of my list.  I looked back over my review.  Yep, still agree with it.  The book has sheer verve going for it, but it’s not as edgy as I prefer.

Bottom line:  If you haven’t read all the nominees, do so!  They’re all excellent and well worth your time.  You can’t go wrong with the established authors nominated for Best Novel, including Tana French, Harlen Coben, Tom Franklin, Timothy Hallinan and Laura Lippman.

For the debut novels, you may find that Rogue Island is your favorite, or perhaps the humor and quirky characterizations of David Gordon’s The Serialist will float your boat.  All five nominees are an opportunity to expand your “must read” list.

My final take on being so wrong?  No biggie.  It’s like the Oscars.  “Predict the Oscars” contests reward those critics who are best are predicting what nominees will be selected by the Oscar voters.  I am more like the critics who pen “who should win” columns.  But even with that perspective, this undertaking is all very subjective! Still, it’s terrifically fun, so 2012 will find me doing the same thing.  Maybe I’ll even go to the ceremony!